Saturday, February 12, 2011

INLE PAINTING PROGRESS PART 2

In my previous posting "INLE PAINTING PROGRESS PART 1", I explained how I work when it comes to painting with watercolor. In this posting, not only will I go into detail with how I work when it comes to inking a painting, you will also get a sneak peak at the final art piece I did for Greg "CRAOLA" Simkins' INLE show.

After I mopped up the bloody mess I made painting the piece, I sat back and watched some horror films on VHS. It's a good way to unwind and clear the brain for the night so I can start fresh the next morning. In this case, I only made it through 20 minutes of a horrid 1988 film called Blue Monkey. I'm not sure where they got the name from because there isn't even a monkey in the film - Just men in giant rubber insect suits running through the halls waving their arms around. Usually these types of parlor tricks highly entertain me. But this just put me to sleep.

Freshly rested, I rose from my crypt to finish up my Inle painting. I sat at my desk with a cup of black coffee to observed the chaos presented to me on the canvas. I asked myself, "What was I thinking". I often feel this way looking at my work the next day with a new pair of eyes. This is never cause for alarm because the painting is never finished until it is inked.

First, I approach inking with a brush and black Indian ink. I have found a liking for a Windsor Newton brand that has a spider on the packaging. But that is my personal preference and to each their own. All ink brands react differently to the surfaces they are painted on. I use a brush and a variety of wet and dry brushing effects to place the ink down where my instincts guide me.

Secondly, I go in and capture all the line work. I start out with quill pens and nubs. Quill pens can be used for other reasons then just stabbing people in the neck. I have discovered that they work great for getting a variety of line widths with an organic feel. Once I lay down the thicker lines with a common homicidal weapon, I go in and capture tighter chaotic scribbles with a mechanical pen. I get asked what kind of mechanic pens I use all the time. Take note so I don't have to repeat myself - I USE RAPIDOGRAPH. These allow me to exercise my OCD impulses on the finishing touches of the piece. After I'm done scribbling all over my art, I step back and come to find that it looks nothing like what I had set out to accomplish.

Eureka!

Okay, so it's not the best picture of my Inle painting. It's a little off center and my desk lamp got in the way. I guess you will have to come out to the show to actually see what the final piece looks like.

The INLE show will be March 12, 2011 at Gallery 1988 located on 7020 Melrose Avenue, Los Angeles, CA 90038.

Copyright 2011, Gris Grimly

3 comments:

  1. Fantastic. But how do you make the letters so white? Some kind of white ink?

    Daniel

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  2. I bet he used gouache for the white or white magic?

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